The Photo Exchange Member Gallery
Douglas Stockdale
Douglas Stockdale is a lens-based artist whose investigations focus on various aspects of memory, family, mental health and the environment while being fascinated by science. He has been published in seven books and featured in numerous others, and his artwork is in the permanent collections of Museo d’Arte Contemporanea di Roma (MACRO, Rome), San Telmo Museo (San Sebastián, Spain), Reminders Photobook Library (Tokyo), Beinecke Rare Book & Manuscript Library (Yale University, Boston), Frick Fine Arts Library (University of Pittsburgh) and many others. He has been featured in numerous articles in conjunction with his solo and group exhibitions, and is a 2023 and 2024 Photolucida Critical Mass Finalist.
He is Senior Editor & founder of PhotoBook Journal, the contemporary virtual magazine for photobook reviews, and the Executive Director of the Photo Exchange.
Bill Edwards
Bill Edwards is a Southern California based fine art, landscape, nature, and travel photographer. An avid outdoor photographer, his work places an emphasis upon environmental concerns and the effects of human intervention. He is a graduate of Brooks Institute Of Photography in Santa Barbara, California, BA in Cinematography / Photography, and MFA in Photography. Employed with Fujifilm North America for 32 years, his previous role as a senior technical product specialist supported a wide array of digital imaging rendering and printing solutions. Additionally, he is an co-director of the Photo Exchange Fine Art Photography Group in Irvine, CA.
Rudy Vega
Rudy Vega is a photographer, artist, writer and educator, working and residing in Irvine, California.
Joseph Foster
Joseph Foster is a street photographer born in New York City in 1964 who graduated from the School of Visual Art in 1990 and transitioned to photographing with an iPhone in 2010, developing a passion for capturing
candid moments of everyday life. Using a Fuji X100V and a Rolleicord TLR film camera, seeks raw, unadulterated moments in diverse cultures and urban landscapes. He documents fleeting instances of human connection, isolation, and the subtle narratives that unfold in public spaces, respecting the authenticity of the moment. He consciously chooses to forgo post-processing beyond basic file management, preserving the natural
light, spontaneous composition, and raw emotion on a passerby’s face. This commitment to in-camera capture ensures the immediacy and visceral impact of his photographs, inviting viewers to connect with the subjects on a human level. His travels explore the universal human experience through specific cultural contexts, capturing the shared tapestry of human existence. These photographs serve as a testament to the beauty and intricacy of the world, captured in its most authentic form.
Michael Graves
Michael Graves is a photographer with over four decades of professional
experience spanning commercial, industrial, and fine art photography. His career began after studying photography at Bakersfield College under Bertil Brink and Harry Wilson, where he developed both technical discipline and an artistic eye. Throughout his career, Michael has photographed across diverse industries including aerospace, manufacturing, automotive, cycling, and medical fields producing precise and highly technical imagery for demanding clients. Alongside this work, his personal focus has always been fine art photography, where he explores light, form, and atmosphere with a creative vision rooted in timeless photographic traditions.
His fine art photography has been featured in several exhibitions, including a solo show at Calumet Photographic in 2011, Wavelength Gallery in 2007, and Stanford University in 1981. His work is also represented in permanent collections at Stanford University, UC San Diego, the Scripps Institute in La Jolla, and the Museum of Photographic Arts (MOPA) in San Diego.
Drawing inspiration from masters such as Brett Weston, Edward Weston, Ansel Adams, and Ray K. Metzker, Michael continues to merge technical mastery with artistic sensitivity. His work seeks to reveal the beauty of manufactured objects, natural landscapes, and the interplay of light and shadow, with an enduring passion for photography’s power to transform the ordinary into the extraordinary.
Jan Brueckner
Jan Brueckner is an amateur photographer who began taking photographs while in high school during 1960s, continuing into his college years but lost some steam in graduate school. He reunited with photography after starting his first job, but then again lost some inspiration, a result of living on the unphotogenic prairies of Illinois. The digital revolution of the 2000's (which opened the door to color) grabbed Jan's attention aided by a return to California and the stimulation of becoming a Photo Exchange member. Although his work has appeared in a few shows, he prefers to shoot just for personal satisfaction and for his PX colleagues. The subject matter of his work ranges from architectural, abstract to people and street photography, with great care placed upon composition as well as color palette. The images shown here are a sample of his architectural work. Furthermore, five of his self-published photo books can be viewed at https://sites.socsci.uci.edu/~jkbrueck/TWO%20BOOKS.htm